17 min
Working backwards, hit the exposed divisi parts of the 4th mvmt then trouble spots in 4th, 3d, and 2nd mvmts. These aren't as complicated in the practice room, but we will be in a new configuration for the concert. It involves violas outside and cellos inside, which we've done before. However, because of extra equipment brought in (I'm not sure why) cellos may be sitting with a block of 4 in front, 2 on a riser to the side, and 2 behind the basses. Could be pretty bizarre, and will make the multiple divisi parts more tenuous. But here goes.